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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Julian Ashton
Australian Painter, 1851-1942
was an Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. Ashton was born in Addlestone, Surrey, England and arrived in Australia in 1878 with a background in the contemporary French realism of the Barbizon School, which emphasised painting en plein air (i.e. direct from nature, as opposed to studio-based painting), and which laid the basis for the Impressionist movement. As a trustee of the Art Gallery of New South Wales he championed emerging Australian artists of the Australian Impressionist or Heidelberg School, and the Gallery's decision to collect these works owes much to his influence. According to James Gleeson, Ashton's oil paintings, much-admired in his own lifetime, |
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Julian Ashton
Mosman Ferry 1888
mk80
Watercolour over traces of pancil
32.6x41.8cm
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Julian Ashton
View of Narth Head,Sydney Harbour 1888
mk80
watercolour
35.4x24.7cm
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Julian Ashton
Study of a Woman-s head
mk167
1890s
Oil
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Julian Ashton
Evening, Merri Creek
Evening, Merri Creek (1882, oil-on-canvas, 91.5 x 122.0 cm) by Julian Ashton (1851-1942).
cjr
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Julian Ashton
A Waterhole on the Hawkesbury
A Waterhole on the Hawkesbury (1885, oil on canvas, 59.0 x 95.0 cm sheet) by Julian Ashton (1851-1942).
cjr
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Julian Ashton
The Prospector
The Prospector (1889, oil on canvas on hardboard, 213.4 x 116.9 cm sheet) by Julian Ashton (1851?C1942).
cjr
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Julian Ashton
A Waterhole on the Hawkesbury
1885, oil on canvas, 59.0 x 95.0 cm sheet) by Julian Ashton (1851?C1942).
cyf
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Julian Ashton
Prospector
(1889, oil on canvas on hardboard, 213.4 x 116.9 cm sheet) by Julian Ashton (1851?C1942).
cyf
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| Julian Ashton
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Australian Painter, 1851-1942
was an Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. Ashton was born in Addlestone, Surrey, England and arrived in Australia in 1878 with a background in the contemporary French realism of the Barbizon School, which emphasised painting en plein air (i.e. direct from nature, as opposed to studio-based painting), and which laid the basis for the Impressionist movement. As a trustee of the Art Gallery of New South Wales he championed emerging Australian artists of the Australian Impressionist or Heidelberg School, and the Gallery's decision to collect these works owes much to his influence. According to James Gleeson, Ashton's oil paintings, much-admired in his own lifetime,
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